Learning from the Ancients. What the oldest world stories can teach contemporary writers. By Andrew J Chamberlain
From the moment our distant ancestors started
to be social and communicate with each other we have been telling each other
stories. The best stories entertain us, but they also help us to establish and
remember who we are, to think about the world and make sense of it, they help a
community to create a worldview. As Christian writer’s we should be very familiar
with the power that stories have on us. Telling stories, in aural or written
form, is a high and important calling.
When we analyse ancient stories from different
parts of the world we discover an intriguing fact. Even though these tales come
from different places in terms of geography, culture, and historical era, they
are remarkably consistent in terms of the themes that they deal with. The best
stories tend to have similar themes, themes that still drive many of the best
stories today, themes like:
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Love and romance
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Power and conflict
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The quest for glory and victory
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Good versus evil
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Family
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Exploring the unknown
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Our relationship with God
The other feature that becomes apparent when
we start to look at stories from different times and places is that they have a
similar shape. These stories tend to
start with the introduction of a character, or characters, who have a quest to perform,
or a problem to solve. The story is then propelled into action by an incident
of some kind, an event that acts as the catalyst for the story. This is often
referred to as the inciting incident.
The story proceeds with a build-up to a climax of some kind – this is often but
not always a conflict, and then closes with a resolution of the problem or
completion of the quest.
By way of example, here are two very old
stories from different parts of the world.
Rama’s Bridge
Rama's Bridge |
The story of Rama’s bridge comes from the epic
Indian poem the Ramayana,
written between 1,800 and 2,500 years ago. Sita, the wife of the God Rama, is
kidnapped and taken to the Demon Kingdom on the island of Sri Lanka. The kidnap
serves as the inciting incident of the story. Rama wants to rescue his wife,
and he and his brother Lakshman build a bridge to Sri Lanka with the assistance
of some bears and monkeys. Rama then leads an army of monkey-like men and
rescues his wife. The story ignites with the kidnapping of Rama’s wife, rises
to a crescendo with the building of the floating bridge, reaches a climax with
the rescue itself and then quickly concludes.
Crater Lake
The story of Crater
Lake is a myth of the Native American Klamath
people. Crater Lake is the deepest lake in the United States and is found in
Oregon. About 7,700 years ago a volcanic eruption created the crater which then
filled with water to create the lake. The Klamath people consider Crater Lake
to be a sacred site. Their myth states that the lake was created by a great
battle between Llao, who ruled the Below World, and Skell, the chief of the
Above World. During the battle, darkness covered the land, and Llao, standing
on Mount Mazama, and Skell, on Mount Shasta, threw rocks and flames. The fight
ended when Mount Mazama collapsed and sent Llao back into the underworld. Rain filled
in the remaining depression, forming a lake in the mountain’s place. In this
story the inciting incident, the battle between LLao and Skell, starts things
off, the conflict rises to a climax at which point the mountain collapses and
Llao is sent back, and the story ends.
These are all old stories from different parts of
the world and have no direct connection to each other; but they have all
survived to this day, and they share some common features which we can learn
from. The lessons I think are:
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Good stories are concerned with timeless
themes that affect all of humanity
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They have a similar shape that presents a
quest or opposing forces and follows the conflict of those opposing forces
through to its conclusion.
Perhaps the best source of examples for Christian writers
is the bible where stories like Noah’s Ark, Daniel in the Lion’ Den, and Esther (to name just a few) provide us with some wonderful examples of how timeless themes
and a proven story structure give ancient stories a contemporary appeal.
This article is an edited excerpt from my forthcoming book: The Creative Writer’s Toolbelt Handbook, and will be published in October 2017.
Andrew Chamberlain is a writer and creative writing tutor.
He is the presenter of The Creative Writer’s Toolbelt, a podcast that offers practical, accessible advice
on the craft. A handbook based on the best advice and insight from the podcast
will be published in October 2017. Andrew has published fiction and
collaborated on a number of ghost-writing projects through Authentic Media,
including the bestselling, 'Once an Addict' with Barry Woodward. He has also
self-published a number of science fiction short stories.
Nothing new under the sun? Especially in story-telling, it would seem! Thanks for a well researched, interesting post.
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